“It’s as if you get on stage and share your deepest, darkest secrets. Putting my sexuality out there in front of people can make me feel very exposed.”. Baring her soul in the autobiographical story was almost as hard. Only the adrenaline of being in the spotlight could help her battle her fear. “On stage I can do anything,” she chuckles. “On stage, I could lift a car.”. In “Black Virgins,” a cautionary tale of interracial romance in the age of OkCupid, Brown reveals her personal experience of online dating, losing her virginity and coping with insufferable Brooklyn hipsters. Her bravery has paid off. Critics have hailed the show as “magic,” “spellbinding” and “irresistible,” and The Marsh has extended the work through Sept. 12.
Of the four soloists, Majors projected the greatest ease: floating, sparkling, resounding; a range of effects, Least comfortable was tenor Christopher Bengochea, long a local favorite, whose voice often was dry and (especially in his upper register) pinched, Known for his many lusty past performances, he didn’t blend well with the other singers and seems right now to be going down a wrong path, Even so, he is so inherently musical that he managed to shine in a ballet slipper dance vintage stitch embroidery design download stitch design - 0072 couple of solos: his Ingemisco heaved with powerful emotion..
9. Police should shut down and fine illegal “dance parties” that are not permitted and widely advertised. Fine a few people heavily and folks will get the message. 10. Have an education campaign to warn people about going into unsanctioned facilities where a large number of people are gathering. We live in earthquake country and most responsible families entering a theater look around for their nearest exit and for a backup if the first is blocked. This should be common sense for everyone attending large gatherings. Like the mantra: “If you see something, say something,” we need to train people up: If it doesn’t look safe – it probably isn’t.
Alternating with Natalie Schroeder, eighth grader Katie Maupin is a sunny dynamo as Winnie, who’s not even allowed to leave the house by her overprotective mother (prim Teressa Foss) but is besotted with her grand adventure and quickly bonds with Jesse, Lucinda Hitchcock Cone adds a note of sardonic sympathy as Winnie’s grandmother, and Michael Gene Sullivan is full of cheerful ballet slipper dance vintage stitch embroidery design download stitch design - 0072 villainy as the Man in the Yellow Suit, a sly and unscrupulous gent in search of the secret of eternal life, Deftly played by an orchestra directed by William Liberatore, several of the songs by frequent collaborators Miller and Tysen are delightfully catchy, especially the more upbeat numbers (“Partner in Crime,” “Live Like This”), and some are very funny as well, There are also a fair number of slow, sentimental ditties that are somewhat touching and appropriate to the tone of the story but also a bit dull..
Redwood Symphony. With White Album Ensemble of Santa Cruz. Conducted by Eric Kujawsky. 8 p.m. Sept. 12. “With a Little Help From Our Friends” Beatles tribute concert. Fox Theatre, 2215 Broadway, Redwood City. $36-$56. FoxRWC.com. Orpheus Chamber Orchestra. With Jennifer Koh, violin. 7 p.m. Nov. 2. Edvard Grieg: Holberg Suite, Op. 40; J.S. Bach: Violin Concerto No. 1 in A Minor, BWV 1041; Ellen Taaffe Zwilich: Prologue and Variations; Mozart: Symphony No. 34 in C Major. Bing Concert Hall, 327 Lasuen St., Stanford. $50-$100. 650-724-2464 or live.stanford.edu.