This season’s Revels focuses on the 1930s, with musical songs, costumes and dances set in Depression-era Appalachia, with stops in the bayous of Louisiana and on the Pacific Coast. Each year, The Revels’ adult and children’s choruses celebrate winter traditions from different time periods and pay tribute to the coming of the Winter Solstice. The performers, most of them community participants who return year after year blend traditional music, dance, ritual and folk plays from many different cultures. Accompanying them are talented professional guest actors and musicians who bring unique twists to the Winter Solstice theme.
Roddy stole the show for me on an emotional night that included tributes to 49ers great Dwight Clark, late baseball star Ken Caminiti, legendary Stanford baseball coach Mark Marquess and women’s soccer Olympic medalist Danielle Slaton, You could tell he was a real character, and friends featured in his video introduction mentioned a favorite pastime of listening to stories from Roddy, who in his post-rodeo days owned the Boots ‘n’ Saddle bar on Alum Rock Avenue, He did not disappoint in his acceptance speech, either, spinning a tale from the 1970s when he ran into then-San Jose Mayor Janet Gray Hayes in the waiting room of Los Gatos doctor Bert Johnson, a friend of the rodeo champ’s who was going to remove stitches from Roddy’s hand, His presence there confused Hayes, Roddy recalled, since Johnson — now 90 and present ballet art, dancer art, ballerina wall art, kids rooms, childrens wall art, dance art, canvas art, girls rooms, pink girls room, at the dinner — was a gynecologist..
Just as aimless was the first half’s performance of Matthus’ concerto. Written nearly 100 years after Raff’s symphony, “Dream of a Summer Night” is designed to evoke a stroll through a moonlit forest. Four movements, performed without a break (a single note, played by a French horn, marks the progression of one movement to the next), take the listener from darkness to dawn. There are moments that shine – the sparkle of light glimpsed through trees, a brisk dance for elves, tolling bells in the dreamlike third movement, and a brass chorale depicting the sunrise – and Morgan had an assured soloist in Kelly Hall-Tompkins, who played the violin part with precision. But again, the piece didn’t make a very deep impression.
Subtitled “The Hierarchical Migration of Birds and Mammals,” “Migration” is a quintessential Lines work because it functions as an abstract collage, The poignant images evoke flight and land travel, and the dancers float and torque in undulant but angular shapes set in an aural landscape of wave sounds and bird calls (created ballet art, dancer art, ballerina wall art, kids rooms, childrens wall art, dance art, canvas art, girls rooms, pink girls room, by Miguel Frasconi and Leslie Stuck), The women morph into regal, long-legged creatures poised virtuosically on one leg in a concentrated stillness that grips us, Duets become passionate struggles of two creatures bound in often tender turmoil that is existential and spiritual, not psychological, The ensemble blasts up into leaps like a flock of birds scattering up out of a wetlands, and newcomer Paul Knobloch sexily flutters and darts, open shirt catching wind like a parachute..
Brentwood mom Olivia Hamilton makes personalized burp rags, car seat canopies, nursing covers, toddler clothing and combo bibs and aprons through her Etsy shop, Livis Lovelies. Hamilton said that her and fellow creative mom friends love transforming their hobbies into family financial contributions and helping others. “A lot of moms I know have in-home businesses and love to support each other,” she said. “We all have the same goal, which is to stay home with our kids and make a little bit of money to help buy them swim lessons and dance classes.”.